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Conflict Is Not Abuse
Overstating Harm, Community Responsibility, and the Duty of Repair
From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways in which cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behaviour and Traumatized behaviour resemble each other, through a shared inability to tolerate difference.This important and sure to be controversial book brings insight into contemporary and historical issues of personal, racial and geo-political difference, as tools of escalation towards injustice, exclusion and punishment, whether the objects of dehumanization are other individuals in our families or communities, African Americans at the hands of police, people with HIV, and Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, revealing how those in positions of power exacerbate and manipulate fear of the “other” to avoid facing themselves.
Contributors
Sarah Schulman
Sarah Schulman is the author of eighteen books: the novels The Cosmopolitans, The Mere Future, The Child, Rat Bohemia, Shimmer, Empathy, After Delores, People In Trouble, Girls Visions and Everything, and The Sophie Horowitz Story, the nonfiction works Conflict Is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair, The Gentrification of the Mind: Witness To a Lost Imagination, Israel/Palestine and the Queer International, Ties That Bind: Familial Homophobia and Its Consequences, Stagestruck: Theater, AIDS and the Marketing of Gay America and My American History: Lesbian and Gay Life During the Reagan/Bush Years, and the plays Mercy and Carson McCullers. She is co-author with Cheryl Dunye of the movies The Owls and Mommy is Coming, and co-producer with Jim Hubbard of the feature United in Anger: A History of ACT UP. She is co-director of the ACT UP Oral History Project. Her awards include the 2009 Kessler Award for "Sustained Contribution to LGBT Studies" from the Center for Lesbian and Gay Studies, a Guggenheim Fellowship, a Fulbright Fellowship, and two American Library Association Book Awards, and she was a Finalist for the Prix de Rome. She lives in New York, where she is Distinguished Professor of English at City University of New York (College of Staten Island) and a Fellow at the New York Institute for the Humanities at NYU.
