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Enlarging the American Cinema
Armond White vs. the Straight Middle-Class White World (and the Black Bourgeoisie)
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From: Thinking While Black
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In this chapter the author examines Armond White’s wildly overlooked film criticism of the 1980’s and 1990’s to shed light on his contributions to resistance aesthetics and film criticism. The author also provides detailed insight as to why White’s work has been disregarded for disrupting the "straight middle-class white world". Topics explored in this chapter included film criticism, music criticism and cultural politics.
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Contributors
Daniel McNeil
DANIEL MCNEIL is a professor in the department of gender studies at Queen’s University and the Queen’s national scholar chair in Black studies. His scholarship and teaching in Black Atlantic studies explore how movement, travel, and relocation have transformed and boosted creative development, the writing of cultural history, and the calculation of political choices. He is the author of Sex and Race in the Black Atlantic and, with Yana Meerzon and David Dean, a co-editor of Migration and Stereotypes in Performance and Culture. He lives in Tkaronto/Toronto.
