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Media, Gendered Violence and Dramatic Resistance in Yvette Nolan’s Annie Mae’s Movement and Blade.
From: Indigenous Women’s Theatre in Canada
$3.50
The fourth chapter of Indigenous Women’s Theatre in Canada looks at the works of Yvette Nolan, specifically Annie Mae’s Movement and Blade. First, the author introduces Yvette Nolan’s life and work as a playwright, director, dramaturg, educator and author from Saskatchewan. The the author examines how Annie Mae’s Movement and Blade depict gendered and racialized colonial violence toward Indigenous women and how these works both educate audiences and empower Indigenous women.
Contributors
Sarah Mackenzie
Sarah MacKenzie is an Anishinaabe/Métis/Scottish, feminist scholar and activist based in Ottawa. Her work focuses particularly upon redressing colonial violence by engaging with decolonial aesthetics.
