Canada
Showing all 8 results
| Title & Subtitle | Abstract | Contributors | Pages | Year | Purchase |
|---|---|---|---|---|---|
 Indigenous Women’s Theatre in CanadaA Mechanism of Decolonization |
Despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving … | Sarah Mackenzie | 192 | 2020 | View |
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From Reclaiming Our Grandmothers in Monique Mojica’s Princess Pocahontas and the Blue Spots and Birdwoman and the Suffragettes: a Story of Sacajawea |
The second chapter of Indigenous Women’s Theatre in Canada examines the following works: Princess Pocahontas and the Blue Spots by Monique Mojica, and Birdwoman and the Suffragettes: the … | Sarah Mackenzie | 40 | 2020 | $4.00 Add |
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From  Taking the ImagePart I |
The author opens part I of the book with a critique of one of the most famous Canadian themed paintings—The Death of Wolfe by Benjamin West and calls it a lie. | Daniel Francis | 25 | 1992 | $0.50 Add |
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From Taking the ImagePart I |
The author opens part I of the book with a critique of one of the most famous Canadian themed paintings—The Death of Wolfe by Benjamin West and calls it a lie. The author opens part I of … | Daniel Francis | 25 | 1992 | $0.50 Add |
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From Community and Resistance in Marie Clements’ The Unnatural and Accidental Women and Now Look What You Made Me Do |
The third chapter of Indigenous Women’s Theatre in Canada looks at the works of Marie Clements, including The Unnatural and Accidental Woman, and Now Look What You Made Me Do. The chapter … | Sarah Mackenzie | 36 | 2020 | $3.60 Add |
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From The Vanishing Canadian |
This chapter calls out the 18th and 19th artists like Paul Kane, Edward Curtis, and others for taking the Indian image and manipulating and displaying in any way they wanted. The image-makers … | Daniel Francis | 50 | 1992 | $2.50 Add |
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From The Vanishing Canadian |
This chapter calls out the 18th and 19th artists like Paul Kane, Edward Curtis, and others for taking the Indian image and manipulating and displaying in any way they wanted. The image-makers … | Daniel Francis | 50 | 1992 | $2.50 Add |
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From Media, Gendered Violence and Dramatic Resistance in Yvette Nolan’s Annie Mae’s Movement and Blade. |
The fourth chapter of Indigenous Women’s Theatre in Canada looks at the works of Yvette Nolan, specifically Annie Mae’s Movement and Blade. First, the author introduces Yvette … | Sarah Mackenzie | 35 | 2020 | $3.50 Add |
