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Old Media, New Media, Intermedia:
The Toronto Star and CFCA, 1922–1933
From: Cultural Industries.ca
$1.90
in Sandra Gabriele and Paul Moore’s chapter, the question is about how old and new media interact. While their example is drawn from the arrival of radio into the newspaper business, it remains germane as an approach for us to study as new technologies—from tablets to cell phones—change, or at least challenge, the ways in which Canada’s cultural industries operate, just as radio challenged newspapers in the 1920s.
Contributors
Sandra Gabriele
Sandra Gabriele is Assistant Professor of Communication Studies at Concordia University. A forthcoming book with Paul Moore, The Sunday Paper, explores the intermedial circulation of illustrated weekend newspapers in North America. In addition to co-editing Intersections of Media and Communications (2011) with Will Straw and Ira Wagman, her histories of journalism in Canada have appeared in Topia, Aether, and Journalism: Theory, Practice & Criticism. New research traces the democratic and epistemological potential lost and gained by the rise of historical newspaper databases, and thus the relationship between access, policy, and preservation practices such as microfilming
Paul S. Moore
Paul S. Moore is Associate Professor of Communication and Culture at Ryerson University. Research with Sandra Gabriele, including a forthcoming book, The Sunday Paper, explores the intermedial circulation of illustrated weekend newspapers in North America. His histories of film exhibition in North America have appeared in the Canadian Journal of Film Studies, as chapters in Explorations in New Cinema History and A Companion to Early Cinema, and the book Now Playing (2008), winner of the Robinson Prize of the Canadian Communication Association.
