In The Future Is Disabled, Leah Laksmi Piepzna-Samarasinha asks some provocative questions: What if, in the near future, the majority of people will be disabled – and what if that’s not a bad thing? And what if disability justice and disabled wisdom are crucial to creating a future in which it’s possible to survive fascism, climate change, and pandemics and to bring about liberation?
Building on the work of their game-changing book Care Work: Dreaming Disability Justice, Piepzna-Samarasinha writes about disability justice at the end of the world, documenting the many ways disabled people kept and are keeping each other – and the rest of the world – alive during Trump, fascism and the COVID-19 pandemic. Other subjects include crip interdependence, care and mutual aid in real life, disabled community building, and disabled art practice as survival and joy.
Written over the course of two years of disabled isolation during the pandemic, this is a book of love letters to other disabled QTBIPOC (and those concerned about disability justice, the care crisis, and surviving the apocalypse); honour songs for kin who are gone; recipes for survival; questions and real talk about care, organizing, disabled families, and kin networks and communities; and wild brown disabled femme joy in the face of death. With passion and power, The Future Is Disabled remembers our dead and insists on our future.
Contributors
Leah Lakshmi Piepzna-Samarasinha
Leah Lakshmi Piepzna-Samarasinha (she/they) is a queer nonbinary femme disabled writer, performance artist, and disability and transformative justice movement worker of Burgher and Tamil Sri Lankan, Irish, and Galician/Roma ascent. They are the author or co-editor of ten books, including (with Ejeris Dixon) Beyond Survival: Strategies and Stories from the Transformative Justice Movement, Tonguebreaker, Bridge of Flowers, Care Work: Dreaming Disability Justice, and Bodymap. A Lambda Award winner who has been shortlisted for the Publishing Triangle five times, she is winner of Lambda’s 2020 Jean Cordova Award “honoring a lifetime of work documenting the complexities of queer of color, disabled, and femme experience,” and is a 2020–2021 Disability Futures Fellow. Since 2009, they have been a lead performer with disability justice performance collective Sins Invalid; since 2020 they have been on the programming team of the Disability & Intersectionality Summit. Raised in rust belt central Massachusetts and shaped by T'karonto and Oakland, they are currently at work building Living Altars, an organization creating space for disabled QTBIPOC writers, including the Stacey Park Milbern Liberation Arts Center, an accessible writing retreat for disabled BIPOC creators. They are a hot, haggard porch and couch witch and a very unprofessional adaptive trike rider.
Modal title
This project is funded in part by the Government of Canada. Ce projet est financé en partie par le gouvernement du Canada.
