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ISBN: 9781551524252-09

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Appropriating the Image

Part III

From: The Imaginary Indian


Citing the example of General Motors and their Pontiac cars produced since 1925, the author explains the final stage in the creation of the Imaginary Indian. Not only are Indian images used to represent what non-Natives think about Indians, they are appropriated by non-Natives as meaningful symbols of their own culture.



Daniel Francis

Daniel Francis is an historian and the author/editor of more than twenty books, including five for Arsenal Pulp Press: The Imaginary Indian: The Image of the Indian in Canadian Culture , National Dreams: Myth, Memory and Canadian History, LD: Mayor Louis Taylor and the Rise of Vancouver (winner of the City of Vancouver Book Award), Seeing Reds: The Red Scare of 1918-1919, Canada's First War on Terror and Imagining Ourselves: Classics of Canadian Non-Fiction. His other books include A Road for Canada, Red Light Neon: A History of Vancouver's Sex Trade, Copying People: Photographing British Columbia First Nations 1860-1940, The Great Chase: A History of World Whaling, New Beginnings: A Social History of Canada, and the popular Encyclopedia of British Columbia. He is also a regular columnist in Geist magazine, and was shortlisted for Canada's History Pierre Berton Award in 2010. Daniel lives in North Vancouver, BC.