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Canadian Culture in a Globalized World
The impact of trade deals on Canada's cultural life
Since the first trade deal with the US in 1984, Canada has insisted on a "cultural exemption" to ensure that governments were free to protect Canadian culture and to restrict foreign ownership and limit foreign content in the media. Negotiators and government ministers considered the cultural exemption key to reassuring Canadians that the deal did not undermine our cultural sovereignty. In every trade deal since, culture has been a contentious issue. Media giants and foreign governments have pushed for unlimited access to Canada. Ottawa has worked with cultural industries to maintain the cultural exemption. As author Garry Neil sees it, in spite of the claims, Canadian cultural policies and programs have been steadily restricted by successive trade deals. He explains how this has happened, and what needs to be done for Canada to maintain our cultural sovereignty and creative life in the face of multinational corporations and their government supporters who are promoting a world monoculture.
Contributors
Garry Neil
GARRY NEIL has worked for forty years in arts and cultural policy in Canada and internationally. He has consulted for governments, cultural industry firms, and non-governmental organizations. He has extensive experience in policies for television, film, publishing, performing arts, visual arts, music, and digital media. He is a global expert on how trade agreements affect cultural policy making and a member of UNESCO's Panel of Experts. He lives in Toronto, Ontario.
