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Dorothy Livesay, the "Housewife," and the Radio in 1951: Modernist Embodiments of Audience
From: The Canadian Modernists Meet
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When radio programming began in the early 1920s, radio’s disembodied voice suggested to the public a live announcer’s or entertainer’s spatial proximity yet simultaneously drew attention to that person’s corporeal
absence.
Contributors
Paul Tiessen
Paul Tiessen is a professor of English and Film Studies at Wilfrid Laurier University. He is the co-editor (with Frederick Asals) of A Darkness That Murmured: Essays on Malcolm Lowry and the Twentieth Century (2000) and (with Patrick McCarthy) Joyce/Lowry: Critical Perspectives (1997), as well as several other books on literature, film, radio drama, art, and photography. He has published widely in the fields of modernism, cultural theory, and film theory, and recently co-edited (with Hildi Froese Tiessen) the forthcoming annotated edition of L.M. Montgomery's letters to Ephraim Weber. He is the former editor of the Malcolm Lowry Newsletter (1977-84) and The Malcolm Lowry Review (1984-2002), and the publisher of MLR Editions Canada.
