Paul Tiessen

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Title & Subtitle	Abstract	Contributors	Pages	Year	Purchase
From Dorothy Livesay, the "Housewife," and the Radio in 1951: Modernist Embodiments of Audience From: The Canadian Modernists Meet University of Ottawa Press	When radio programming began in the early 1920s, radio’s disembodied voice suggested to the public a live announcer’s or entertainer’s spatial proximity yet simultaneously drew …	Paul Tiessen	24	2005	$2.16 Add

Dorothy Livesay, the "Housewife," and the Radio in 1951: Modernist Embodiments of Audience