Paul Tiessen

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Title & Subtitle Abstract Contributors Pages Year Purchase

Dorothy Livesay, the "Housewife," and the Radio in 1951: Modernist Embodiments of Audience

From: The Canadian Modernists Meet

When radio programming began in the early 1920s, radio’s disembodied voice suggested to the public a live announcer’s or entertainer’s spatial proximity yet simultaneously drew … 24 $2.16 Add