Theatre Studies & Drama
Showing 33–48 of 63 results
| Title & Subtitle | Abstract | Contributors | Pages | Year | Purchase |
|---|---|---|---|---|---|
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From  Reflections on the Antigone and Other Courtroom DramasFrom: Antigone v. Creon |
Discussion of dramatic depictions of courtroom trials. | Roger S. Fisher | 11 | 2014 | $1.10 Add |
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From  Responding to Bloody Bloody Andrew Jackson & Claiming the Power of Native VoiceFrom: Bigotry on Broadway |
The author recounts her shock and offense at the play Bloody Bloody Andrew Jackson, which, as she explores in this essay, is ahistorical and includes racist and problematic represenations of … | Betsy Theobald Richards | 10 | 2021 | $1.00 Add |
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From Select BibliographyFrom: Antigone v. Creon |
List of court cases, books, and articles used as source material. | Roger S. Fisher | 12 | 2014 | $1.20 Add |
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From  Sins Invalid’s Origin StoryFrom: Crip Kinship |
Topics discussed include crip beauty and sexuality, ableism, historical eugenics, assumptions about disabled folks, intersectionality, medicalization, disability justice, activism through … | Shayda Kafai | 14 | 2021 | $1.40 Add |
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From South Pacific, Miss Saigon, Soft Power and MeFrom: Bigotry on Broadway |
This author recounts her experiences and perceptions of Anti-Asian bigotry in theatre/Broadway. | Aimee Phan | 10 | 2021 | $1.00 Add |
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From Storytelling as Activism, as Crip-Centric StrategyFrom: Crip Kinship |
Topics discussed include storytelling as a form of activism, silencing of the disabled and ill, empowering and using one’s own voice, historical lineages of oppression, mapping community, … | Shayda Kafai | 15 | 2021 | $1.50 Add |
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From The Antigone as a Trial PlayFrom: Antigone v. Creon |
Discussion of how the play is about the law as advocacy rather than about law in the sense of formal validity. | Roger S. Fisher | 20 | 2014 | $2.00 Add |
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From  The Body Language GameSign Reading From: The Power Manual |
The Body Language game comes from the field of theater. Actors play it to learn the subtle differences in status between characters — how they manifest and are transformed. The purpose of … | Cyndi Suarez | 4 | 2018 | $0.40 Add |
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From The Book of Mormon Is Racist—Why Isn’t Anyone Talking about It?From: Bigotry on Broadway |
This chapter outlines the many racist aspects of The Book of Mormon, as perceived by the author. | Claire J. Harris | 5 | 2021 | $0.50 Add |
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From The Character Study GameReconsruction From: The Power Manual |
The Character Study game is from the field of theater. Actors play it to learn how to understand their character. The goal for the actor is to live truthfully under imaginary circumstances. Good … | Cyndi Suarez | 5 | 2018 | $0.50 Add |
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From The Circle GameReconsruction From: The Power Manual |
The Circle game is from the field of theater. Actors play it to learn how to be in tune with the other actors on stage. When on stage, even if the actor is not directly interacting with another … | Cyndi Suarez | 4 | 2018 | $0.40 Add |
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From The Forensic Question of the PlayFrom: Antigone v. Creon |
Examination of the forensic question of who buried the body and how it was done. | Roger S. Fisher | 20 | 2014 | $2.00 Add |
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From The Lane GameReconsruction From: The Power Manual |
The Lane game is from the field of theater. Actors play it to learn how to be in tune with the other actors on stage. When on stage, even if the actor is not directly interacting with another … | Cyndi Suarez | 4 | 2018 | $0.40 Add |
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From The Meisner GameReconsruction From: The Power Manual |
The Meisner game is from the field of theater. Actors play it to learn how to be in tune with their stage partner. Sanford Meisner, an American theater master, developed a unique approach to … | Cyndi Suarez | 5 | 2018 | $0.50 Add |
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From The Party GameSign Reading From: The Power Manual |
The Party game comes from the field of theater. Actors play it to learn the subtle differences in status between characters — how they manifest and are transformed. The purpose of this game … | Cyndi Suarez | 4 | 2018 | $0.40 Add |
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From The Purpose of PlayPlay as Evolution From: The Power Manual |
The Purpose of Play, begins with Stuart Brown’s discovery of the evolutionary purpose of play. Brown outlines the features of play, one being the creation of potential future events that … | Cyndi Suarez | 11 | 2018 | $1.10 Add |
